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Kamis, 17 Juni 2010

Mario Teguh Super Note

Mario Teguh Super Note - BERDOA SEPENUH HATI, LALU BEKERJA SETENGAH HATI.

Sahabat Indonesia yang super,
yang hatinya penyayang dan yang sejak kelahirannya berada dalam rencana-rencana baik Tuhan.

Adik-adik dan anak-anak saya yang hatinya baik,
yang sedang memisahkan teladan baik - dari contoh yang hanya melemahkan kehidupan.

Mudah-mudahan sapa saya di Kamis sore yang penuh renungan haru ini, menemui Anda dalam kedamaian dan kesehatan yang prima.

Setiap jiwa adalah jiwa yang dilahirkan dengan rezeki baik, yang pencapaian dari kesejahteraan dan kebahagiaannya patuh kepada kesungguhannya sendiri untuk menjadi pribadi yang jujur, yang bekerja keras, dan yang bekerja bagi kebaikan sesama.

Sudah lama saya ingin meminta ini kepada Anda, dan saya berharap Anda mengijinkan saya untuk memintanya sekarang; dan ijinkanlah saya menyampaikannya dengan kalimat-kalimat yang seperti berikut ini:

...........


Sahabat baikku yang dititipkan oleh ibumu kepada ibuku,
agar aku melebihkan perhatianku kepadamu,

Dapatkah engkau - untuk sebentar saja, menghentikan kekhawatiran dan ketakutanmu bahwa masa depan tidak akan menyediakan rezeki dan kedamaian yang baik bagimu?

Dapatkah engkau - untuk sejenak saja, menghentikan keinginan untuk menjelaskan kepada orang lain bahwa engkau adalah orang baik, bahwa niat-niatmu baik, dan bahwa sebetulnya engkau orang baik?

Dapatkah engkau – untuk sesaat saja, menghilangkan keinginan dan permintaan kepada Tuhan agar orang-orang jahat dan culas yang mengancam kebaikan hidupmu itu dibalas dengan hukuman yang setimpal?

Dapatkah engkau – sekarang, betul-betul ikhlas dan mendamaikan diri bahwa tidak ada apa pun yang bisa terjadi kepadamu, tanpa ijin Tuhan?

Dan bahwa semua yang terjadi, diijinkan oleh Tuhan untuk menjadi penyebab dan penuntun menuju kebaikan hidupmu?

Dan bahwa keburukan yang terjadi kepadamu, adalah keburukan yang digunakan oleh Tuhan untuk menyebabkan kebaikan pada diri dan kehidupanmu?

Dan bahwa tidak ada apa dan siapa pun yang bisa menghalangi kehendak Tuhan untuk menyejahterakan dan membahagiakanmu?

Dan bahwa engkau adalah jiwa yang sangat dikasihi oleh Tuhan?

Dan bahwa Tuhan sangat merindukan kedekatan denganmu?

Dan bahwa Tuhan sedang menantikan keindahan dari rasa bersandarnya kepalamu yang letih itu di pundak Tuhan?

Tidakkah engkau tahu bahwa Tuhan sangat merindukan suara-suara manja mu,
yang meratap menyalahkan ini dan itu,
yang sedih karena perlakuan dari dia dan mereka,
yang mengeluhkan kekurangan ini dan itu,
yang memprotes kelebihan orang itu dan mereka,
yang bersedih tanpa sebab,
yang merasa ragu dan ketakutan mengenai hal-hal yang tak akan terjadi,
yang memanggil-manggil nama Tuhan dari pangkuan Tuhan,
yang menyesali keputusan Tuhan,
dan yang mempertanyakan keadilan Tuhan?

Tidakkah engkau tahu bahwa Tuhan tersenyum untuk semua itu?

Tuhan sangat mengasihimu, dengan semua ke-Maha-an kasih sayang-Nya.

Ketahuilah bahwa tidak ada yang dapat kau lakukan kepada Tuhan, yang dapat melukai-Nya.
Tetapi, engkau juga harus mengetahui bahwa Tuhan-mu Yang Maha Pengasih itu, sering kau minta menyaksikan dirimu sedang menyiksa dirimu sendiri.

Saudaraku yang jiwanya sedang melembut dan berpendar dengan pengertian-pengertian baik,

Engkau sudah lama bermanja-manja dan meminta kepada Tuhan, dan yang sebetulnya sudah saatnya engkau menerima hadiah-hadiah bagi keikhlasan dan kesabaranmu,

Bolehkah aku mengingatkanmu,
yang juga menegaskan keharusan yang sama bagi diriku sendiri,
tentang sebuah nasehat yang kudengar di relung hatiku,
saat hidung jiwaku mereguk aroma dupa dari tanah suci,
yang kunaikkan bersama lantunan puja dan puji bagi kemuliaan Tuhan Yang Maha Suci?

Nasehat itu, …

Janganlah engkau berdoa dengan sepenuh hati,
lalu bekerja dengan setengah hati.
Lalu mengeluh sepenuh hati,
karena perlakuan hidup yang setengah hati.

Maka,

Janganlah kita mengharapkan sebuah kehidupan yang penuh,
dengan kesediaan untuk bekerja hanya dengan hati yang setengah penuh.

Marilah kita mencukupkan syarat bagi kesejahteraan dan kebahagiaan yang kita inginkan.

Marilah kita bekerja dengan kesungguhan yang sesuai dengan kesungguhan doa dan permintaan kita.

Ketahuilah, bahwa ...

Ada hukum kepantasan bagi segala sesuatu, maka ia yang memperbaiki diri akan menjadi pantas bagi kehidupan yang terperbaiki.

Maka terimalah ini dengan ikhlas, bahwa …

Kepantasan untuk berhasil selalu mendahului keberhasilan.

Marilah kita berpikir, bersikap, dan berlaku untuk memantaskan diri bagi apa pun yang ingin kita capai.

………..


Sahabat saya yang hatinya baik,

Begitu dulu ya?

Mudah-mudahan catatan sederhana di atas dapat menemani Anda dalam mengisi keindahan sore ini dengan kejujuran, dengan kerja keras, dan dengan kesungguhan untuk bekerja bagi kebaikan sesama.

Mudah-mudahan Tuhan menguatkan Anda untuk merampungkan sebesar-besarnya tugas Anda, dan memudahkan Anda untuk menjadi pribadi yang ikhlas, yang sabar, dan yang setia kepada jalan-jalan yang benar.

Mudah-mudahan rezeki Anda mudah, keuntungan Anda besar, dan mudah-mudahan Tuhan selalu memelihara kesehatan dan keamanan kehidupan Anda bersama keluarga terkasih.

Sampai kita bertemu suatu ketika nanti ya? agar kita bisa berjabat-tangan, berbincang kangen-kangenan sebagai sahabat dan saudara dalam kebaikan.

Mohon disampaikan salam sayang dari Ibu Linna dan saya, untuk keluarga Anda terkasih.

Loving you all as always,

Mario Teguh

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Rabu, 16 Juni 2010

Mario Teguh Super Note JIKA ENGKAU INGIN MENJADI PEMIMPIN, PERHATIKANLAH INI.

Mario Teguh Super Note
JIKA ENGKAU INGIN MENJADI PEMIMPIN, PERHATIKANLAH INI.

...........



Jika engkau ingin menjadi pemimpin, jangan pernah mengabaikan keharusanmu untuk melayani bagi kesejahteraan, kebahagiaan, dan kecemerlangan mereka yang kau pimpin.

Kedudukanmu bukanlah untuk kemapanan dan kedamaianmu saja.
Hanya merasa damai dan mapanlah, jika engkau telah berhasil menjadikan mereka yang kau pimpin hidup dalam kedamaian dan kemapanan.

Janganlah kerisauanmu hanya yang berkenaan dengan dirimu.

Engkau disebut pemimpin karena engkau menukarkan hak mu untuk merasa nyaman bagi kenyamanan orang banyak, engkau menomor-akhirkan tidurmu bagi kedamaian tidur mereka, dan engkau menunda istirahatmu agar yang paling kecil dari saudaramu itu – termudahkan upayanya untuk membangun kehidupan yang layak.

Jika itu yang mengisi pikiran dan hatimu, engkau akan berpendar dengan sinar kecintaan dari langit.

Jika hanya penyelamatan dirimu yang menjadi kegundahanmu, maka hanya kesantunan orang lain yang menjadi pelindung sementara bagimu.

………..

Sahabat-sahabat Indonesia yang super,

yang sedang membangun kualitas-kualitas pribadi yang akan menjadikan dirinya pantas bagi tugas-tugas kepemimpinan yang mulia.

Berikut adalah beberapa paragraph yang saya ambilkan dari buku Mario Teguh LEADERSHIP GOLDEN WAYS, yang dapat meneruskan pembicaraan yang telah kita mulai di atas, bagi penikmatan Anda di ruang keluarga MTSC yang ramah dan saling memuliakan ini.

Please kindly enjoy, absorb, and apply.

………..

Seorang pemimpin adalah pribadi biasa yang kesungguhannya tidak biasa dalam menjadikan dirinya pelayan bagi kebaikan hidup orang banyak.

………..

Dia membangun keberhasilannya melalui keberhasilan orang lain.

Rencana besar bagi keberhasilan seorang Pemimpin Jalan Keemasan terbuat dari rencana-rencananya bagi keberhasilan setiap individu yang berada dalam kepemimpinannya.

Banyak pribadi pada posisi kepemimpinan yang lupa bahwa mereka dianggap berhasil hanya apabila mereka menyebabkan peningkatan kualitas pada kehidupan anggota organisasi mereka, dan apabila mereka menyampaikan keuntungan bagi semua pemegang kepentingan mereka.

Anda - sebagai pemimpin dengan jalan keemasan - berupaya mencapai posisi kepemimpinan yang tertinggi bukan untuk menikmati kemudahan pada posisi itu, melainkan untuk menggapai tingkat kewenangan yang Anda butuhkan untuk mengharuskan ketaatan kepada nilai-nilai pelayanan atas semua anggota organisasi Anda.

Dia menjadikan dirinya seorang mahasiswa yang cemerlang pada akademi kepemimpinan yang bernama SITUASI.

Situasi adalah komponen pembentuk sejarah.

Seorang pemimpin dengan jalan kemasan mengetahui bahwa dengan mempelajari perilaku dari situasi, baik yang lalu maupun yang sedang dialaminya, dia akan mampu menghindari penalti dari terulangnya kesalahan, baik dari kesalahannya sendiri mau pun dari kesalahan orang lain.

Dengannya, dia bisa mencurahkan semua perhatian dan tenaganya bagi pelaksanaan terbaik dari praktik-praktik kepemimpinan yang telah terbukti membesarkan kehidupan, baik pribadi, organisasi, masyarakat, atau bangsa.

Baginya, semua keputusan yang ada dalam organisasinya adalah keputusan pribadinya.

Dari semua yang bisa didelegasikannya, dia tidak akan pernah mendelegasikan keputusan yang harus diambilnya dari posisi kepemimpinannya.

Dia mungkin bisa mendelegasikan sebagian besar dari tugas-tugasnya. Dia juga mungkin bisa memberdayakan bawahannya untuk membuat keputusan pada jajaran mereka, akan tetapi, dia mengetahui bahwa,

dia tidak dapat membebaskan dirinya dari penilaian negatif atas keputusan buruk para bawahannya.

Karena, keputusan buruk itu dibuat oleh mereka yang diputuskannya sebagai pengemban dari sebagian kewenangannya.

Jika bawahannya salah, sebetulnya sang pemimpin telah salah memilih bawahan untuk memutuskan atas namanya.

Dia menyadari sekali bahwa sebuah posisi kepemimpinan adalah posisi bagi keputusan akhir, yaitu keputusan yang harus dibuatnya secara pribadi.

Dia setia kepada yang benar.

Dalam peliknya pertentangan berbagai prioritas dan kepentingan di organisasi dan di publik yang dilayaninya, seorang pemimpin dengan jalan keemasan selalu ingat untuk kembali kepada yang benar.

Dia menyadari bahwa semua yang sulit itu datang karena pengabaian dari hal-hal yang baku. Dan yang sulit itu juga berperan sebagai pemaksa agar orang kembali kepada perilaku yang benar, bagi tercapainya perbaikan dan kebaikan berikutnya.

Itulah sebabnya dia berupaya keras menjaga tindakannya sendiri untuk setia kepada yang dituntutnya dari orang lain, karena hal itu adalah penentu tingkat hormat dari bawahannya.

Dia mengharuskan dirinya untuk melakukan yang dikatakannya,
dan mengatakan yang dilakukannya.

Dia sangat berani dalam mendirikan yang benar
dan tidak sanggup membayangkan dirinya
melakukan yang dilarangnya atas mereka yang dipimpinnya.

Jika yang dilakukannya adalah yang selain itu, tidak ada muslihat apa pun yang bisa digunakannya untuk menyembunyikan kepalsuannya.

………..

Sahabat-sahabat saya yang baik hatinya,

Semoga tulisan di atas dapat mendampingi upaya super Anda hari ini dan esok, untuk menjadikan kehadiran Anda dalam kehidupan ini – sebuah hadiah yang disyukuri keluarga dan masyarakat yang Anda layani.

Marilah kita tetap menjadi kekasih Tuhan, dengan menjadikan diri kita pemimpin yang setia kepada yang benar, bagi diri sendiri, bagi keluarga, dan bagi sebanyak mungkin jiwa Indonesia.

Sampai kita berjumpa dan berjabat-tangan nanti.

Mohon disampaikan salam sayang untuk keluarga Anda tercinta, dari Ibu Linna dan saya.

Loving you all as always,

Mario Teguh

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Minggu, 13 Juni 2010

Contents

1. Introduction
2. Why paper airplanes look different than real planes
1. Folding time
2. The tail is not needed
3. Wing shape
4. Exotic shapes
3. Low Reynolds number flight
4. Making them fly
1. Dihedral
2. Weight forward is good
3. What about the airfoil shape?
5. World record paper airplane - time aloft
1. Launch phase
1. Throw
2. Ascent
2. Gliding flight
3. Other miscellaneous ramblings
1. Repeatability
2. Completely different planes
3. Weather, England, and new records

6.0 References


1.0 Introduction

This is intended to explain the aerodynamics specific to paper airplanes. For a general description of why airplanes fly and why they crash, I recommend reading the aerodynamics sections of either of my books The World Record Paper Airplane Book or The Kids Paper Airplane Book. I wanted to include a section like this in my books, but due to space constraints, could not. This also allows me to get more technical in some areas. Hopefully its not too technical, some of the details get complex, but most of the principles are straight forward. My goal is that most of this information should be understandable by high school students, and for it all to be accurate. I also plan to some day (soon?) put together a complete guide to aerodynamics on my web site.

Its important to realize the basics of why paper airplanes fly, and why full size airplanes fly, are identical. They create lift and drag, and are stable or unstable for the same reasons. However paper airplanes look different than most airplanes. The reason they generally look different is for very practical reasons, but not necessarily due to aerodynamics. There are also some definite aerodynamic differences between paper airplanes and full size planes. These difference are not so apparent, but do affect how paper airplanes fly.

2.0 Why Paper Airplanes Look Different Than Real Planes

Most full size planes have wings, a tail, and a fuselage (body) that holds the pilot and passengers. Most paper airplanes have just a wing and fold of paper on the bottom that you hold when you throw the plane. There are several reasons for the differences.
95

2.1 Folding time

The main reason why paper airplanes look different than real planes is to allow the paper airplane constructor to make a plane as easily and quickly as possible. Adding a tail and any other pieces to a paper airplane would require more folds, and probably scissors, tape and glue. The simplest airplane is the flying wing, and that's what most paper airplanes are.

2.2 The Tail Is Not Needed

The horizontal tails on full size planes have an elevator (control surface across the back edge of the horizontal tail) which the pilot rotates (back edge) up to make the plane nose up and fly slower, or down to nose the plane down and speed up. Paper airplanes accomplish the same thing by bending the back edge of the wing up to fly slower, of down to fly faster.
996

Several full size airplanes have been flown successfully without tails. The Northrop XB-35 and B-2, and the sailplanes of the Horton brothers were all stable, good flying airplanes. Many people assume a tail is needed for stability - but the above mentioned planes, and millions of paper airplanes prove different!
3B-2 Flying wing bomber

The horizontal tail of a plane allows the weight to move forward and aft more while remaining stable and controllable. Where a plane balances if it were supported at only one point is called the Center of Gravity (CG). The CG can move further forward or aft due to different passenger and cargo loadings, and due to fuel burn (most jets carry about half their empty weight in fuel). All airplanes become unstable if the CG moves aft of a point called the Neutral Point. As the CG moves forward of the neutral point, the plane gets progressively more stable, and progressively needs more up elevator. Elevators on tails can be more effective than elevators on the back of wings, so planes with tails can have a greater CG range than planes without tails. With paper airplanes their CG does not move, so they are fine without a tail.

A tail is also needed to balance the pitching moment (tendency to make the plane rotate nose up or down) caused by flaps. Flaps are the control surfaces on the back edge of the wing which are deflected down to allow the plane to takeoff and land slower. Paper airplanes do not need to fly any slower, so they do not need flaps, or the tail needed to balance the flaps.

The tail of a real plane usually also has a vertical tail. The vertical tail acts like the fins of an arrow to keep the nose of the plane pointed in the direction its headed, this is called positive directional stability. The Fuselage (center body of a plane, on paper airplanes its the part you hold for throwing) acts like the vertical stabilizer of real airplanes. Sometimes bending the wingtips up on paper airplanes also helps to add directional stability. The combination of the fuselage and wingtips on paper airplanes allows them to have positive directional stability without a vertical tail.

2.3 Wing Shape

Paper airplanes usually have short "stubby" wings, called "low aspect ratio" wings. The distance from wing tip to wing tip is called wing span, and the distance from the front to the back of the wing is called the chord. The ratio of wing span to average chord is called "aspect ratio", and is an important characteristic of wings. For subsonic (less than the speed of sound) airplanes wing drag is reduced by increasing wing span and decreasing wing chord, both increase the aspect ratio. For that reason aspect ratio is a good indicator of overall wing drag. Notice that sailplane(glider) designers are extremely concerned with wing drag, and use high aspect ratio (big wing span, narrow chord) wings. Getting back to paper airplanes, or more correctly paper gliders, notice their wing shape is much different from real gliders because they have low aspect ratio wings. There are several good reasons for this difference.

1. Paper is a lousy building material. There is a reason why real airplanes are not made of paper. Although high aspect ratio wings reduce drag, they also require better building materials. The low strength of paper does not allow the use of high aspect ratio wings.
2. Low aspect ratio wings are easier to fold. One of the reasons we make paper airplanes is because they are fast and easy to build (gee, is that two reasons?).
3. Paper airplane gliding performance is not usually very important. We usually want a plane that does a good job of flying across the room, and aren't too concerned if another paper airplane design (which would be more difficult to build) could have made the same flight more gracefully. Notice that for my world record paper airplane gliding performance is extremely important, but a low aspect ratio wing is needed to withstand the high launch speed (more on the specifics of the world record plane later).
4. Low aspect ratio wings look faster, especially if they are swept back. People associate low aspect ratio, swept back wings with low drag, high speed fighters. In reality if an airplane is flying less than 500 miles per hour it will have lower drag with a straight, high aspect ratio wing. This seems confusing to many. Think of it this way, if low aspect ratio swept back wings had the lowest drag for all planes, all planes would have them. Airplanes flying from 500-600 mph have the lowest drag with fairly high aspect ratio swept back wings. That is why jet airliners have that kind of wing. Airplanes that fly over 600 mph, like jet fighters and the Concorde, really do have the lowest drag with low aspect ratio swept back wings. However the truth doesn't change the fact that low aspect ratio swept wings look fast, and that's OK.

8LS-6 Sailplane

2.4 Exotic Shapes

Real airplanes have to be optimized to perform some mission. Since its tough to beat the basic wing/fuselage/tail configuration for aerodynamic efficiency, most planes look that way. The mission of a paper airplane is to provide a good time for the pilot. Sometimes that means the amazement of seeing something radical fly through the air. The combinations of wings, tails, fuselages, and other parts that can be made to fly is endless. Beyond the traditional paper airplane designs there are many exotic shapes that don't look like they should fly. One of these is the "hoop shape", known as the Vortex in my original book. Another exotic shape is in my 1997 calendar called the X-Plane. It is basically two wings attached in the middle and at different angles to form an "X" shape. Other more familiar shapes, but not thought of as airplanes, can also be made to fly. One of these is the Starship from my 1997 calendar, which looks like a futuristic space craft, but it actually flies. With paper airplanes its easy to make airplanes that don't look like real airplanes.

3.0 Low Reynolds Number Flight

Paper airplanes are smaller and fly slower than most other aircraft. So how does that affect their aerodynamics? Back in 1883 Osborne Reynolds, professor of engineering at the University of Manchester (England) carried out experiments to determine why fluid forces through pipes changed for different conditions. Basically what he discovered is how viscosity affects the way fluids behave. All fluids (a fluid is anything that flows - air, water, maple syrup, …) have some viscosity, or stickiness, to them. As a fluid flows over a surface, the fluid molecules closest to the surface cling to the microscopic roughness of the surface. As you move away from the surface there is a small transition distance where the fluid's viscosity limits the change in speed of the adjacent molecules, until at a certain distance the fluid is at full speed. The narrow region near the surface where the fluid is less than full speed is called the boundary layer. All boundary layers start as "laminar" where the molecules travel in a straight line, with a smooth transition in fluid velocity from the surface to the outer edge of the boundary layer. Further downstream disturbances and waves form in the boundary layer and transition the smooth orderly laminar boundary layer into a "turbulent" boundary layer. Turbulent boundary layers have a laminar sub-layer next to the surface, but are mainly characterized by swirling random eddies throughout the boundary layer.
4

A number was devised which gives the relative importance of viscosity in fluid flow. It is called the Reynolds Number, and it is the ratio of momentum forces to viscous forces in a fluid. The bigger the number, the less influential the viscosity. The viscosity is essentially a constant for a fluid (it changes a bit with temperature), but momentum is proportional to the speed of a fluid over a surface times the distance it has traveled over the surface. For air it is roughly:

Re=K*V*L
Re=Reynolds number (non-dimensional)
K=9340
V=Velocity relative to surface (miles per hour)
L=Length over surface fluid has traveled (feet)
So for a paper airplane (remember, this is about paper airplanes) Re=9340*10*.4=37,000

By comparison the wings of a four passenger airplane have a Reynolds Numbers of up to about 6,000,000. Also, remember the transition from laminar to turbulent? That happens at a Reynolds number of no less than about 10,000, so the first ½ to ¼ of the flow over a paper airplane's wing is laminar. Since the Reynolds Number is much less than for full sized airplanes, this means viscosity is much more dominant, resulting in more drag, and more difficulty in creating lift.

The low Reynolds Number of paper airplanes also means thin wings are best. As wings get thicker, the air has to work harder to make it around the airfoil. At high Reynolds numbers with turbulent boundary layers this is easy. At low Reynolds Numbers and laminar boundary layers, this is very difficult. If a thick (say 10% of chord or more) airfoil is used on a paper airplane, the air cannot make it around the airfoil and separates about midway across the wing resulting in huge amounts of drag, and little lift - the paper airplane won't fly. I try to keep my wings no thicker than about 3% to 5% of the chord length, so its important to fold your wings nice and flat. Mother nature knows this. Birds fly faster than paper airplanes, and they have thick curved airfoils. Insects are closer in Reynolds number to paper airplanes, and they have thin flat wings - look at a butterfly's wings some time.

4.0 Making Them Fly

The "secrets" to making paper airplanes fly well are largely the same adjustments which make hand launched gliders fly well. Most people have the unfortunate idea that a good paper airplane needs no adjustments after the basic folds are finished. All real airplanes have trim tabs to make small adjustments to the plane, and all paper airplanes need small adjustments to fly their best. There are a few basic adjustments and principles which will transform the paper airplane novice into a paper airplane expert. The following flying tips are generally covered in my books, but I go into a little more detail here.

4.1 Dihedral

One of the most common paper airplane mistakes is to leave the wings folded down at an angle. That is called "anhedral", and it reduces the lateral stability of your paper airplane. What you want is called "dihedral" which is when the wing tips are the highest part of the wing. The resulting lateral stability will help keep your paper airplane flying straight, or perhaps in a gradual turn. With lateral instability your paper airplane will either roll over on its back and crash, or enter into an ever tightening spiral which becomes a spiraling dive. Just remember - keep your wing tips up.
7

Technically dihedral provides a stabilizing rolling moment due to sideslip. For example if the plane yaws to the left (positive sideslip), the right wing has a slightly increased angle of attack (AOA) because of the dihedral, while left wing's AOA is decreased (this is most easily imagined if you think about 90 degrees of sideslip). The resulting rolling moment is to the left, which is stabilizing. During a level turn, the yaw rate combined with the stabilizing yawing moment due to yaw rate results in a little bit of sideslip, positive for right turns, negative for left. That small amount of sideslip together with a stabilizing rolling moment due to sideslip (dihedral effect) results in the plane wanting to roll out of the turn. With anhedral, the plane wants to roll into the turn, resulting in a "graveyard spiral". The tendency to roll into or out of a turn is called the spiral mode, which is controlled mainly using dihedral. Most real airplanes have to limit the amount of dihedral they use to keep the Dutch roll mode, a rapid left and right oscillation, under control. While dihedral makes the spiral mode more stable, it reduces the damping of the Dutch roll. I have rarely witnessed any Dutch roll problems with paper airplanes, likely due to increased yaw rate and roll rate damping associated with low airspeeds. As a result all paper airplanes should be flown with plenty of dihedral.

4.2 Weight Forward is Good

As mentioned in section 2.2, where a paper airplane balances is called the Center of Gravity (CG), and there is a specific CG position known as the Neutral Point which provides neutral pitch stability. If the airplane has a CG ahead of this point, the plane is stable, if its behind this point its unstable. Naturally all airplanes without computer assisted flight controls need a CG ahead of their neutral point. For rectangular wings the neutral point is ¼ of the distance from the nose to the tail. For delta wings (such as the common dart paper airplane) the neutral point is ½ of the distance from the nose to the tail.

Stability means the plane, if disturbed, will return to its original state. For pitch stability it means the plane will seek a single airspeed. A plane which is unstable in pitch will either pitch up into a stall, or nose dive, but won't settle out anywhere in between. A stable airplane will tend to oscillate up and down a few times, but converge on a steady flight speed. Many typical paper airplane designs are stable, but just barely. As a plane becomes more and more stable, it wants to fly faster and faster. To counter this tendency, up elevator must be used to produce a good trim airspeed. This is why many of the classic paper airplane designs are nearly neutrally stable. Few people realize good pitch stability requires a heavy nose and some up elevator. The classic designs rely on the small inherent "up elevator" effect (positive zero lift pitching moment) resulting from the swept wing, and possibly the airfoil shape. Thus many classic paper airplanes can be flown with no elevator adjustment. Sometimes they fly well, many times they don't, and they always have poor stability.

I like to add a tiny amount of up elevator to the classic pointed nose paper airplanes, to make sure they don't dive. If I have the time and materials, I like to add a few layers of tape or a paper clip to the nose of the plane to improve its stability. Most "square" paper airplanes have plenty of weight in the nose, and require some up elevator to fly well. Actually the amount of up elevator needed on a paper airplane is a good indicator of its pitch stability. Build a paper airplane (any kind) and place a paper clip on the nose. Make a few flights to determine the best amount of up elevator needed. Now move the paper clip back an inch or two, and repeat. The amount of up elevator needed is reduced, and the plane becomes more sensitive to elevator adjustments. When the paper clip has been moved back to a point where you are using nearly no elevator deflection, and you can't get the plane to fly well, you have the CG at the neutral point (try to balance the plane on a finger, the point where it balances is the neutral point).

4.3 What about the airfoil shape?

Most people who are reading this know that airplane wings are "Cambered" which means they have generally a curved shape, with the top of the airfoil rounded and the bottom fairly flat. As explained in section 3.0, paper airplane wings must be thin to work well. In addition, they need very little camber, and generally any curvature is limited to the front portion of the wing. I have had people ask me why I don't advocate cambered airfoils for paper airplanes in my books. Since most paper airplanes are flying wings, only small amounts of camber are practical, as large amounts of camber create nose down pitching moments which need tails to balance. Generally I do use a little curvature at the leading edge of the wing. I have noticed that paper airplane performance is not noticeably degraded with flat, uncambered airfoils. The reason for this is likely due to low Reynolds numbers. Remember that a large portion of the boundary layer across the front of the wing is laminar flow, but for high lift we need a turbulent boundary layer. The use of a flat uncambered wing produces a large pressure gradient at the leading edge, which likely aids the transition to a turbulent boundary layer, which could likely be the reason for little camber in insect wings. Also, swept wings with uncambered leading edges promote vortex flow just behind the leading edge on the upper surface. Although lift coefficients at these Reynolds numbers aren't large enough to promote a large amount of vortex lift(vortex lift increases exponentially with lift coefficient), any vortex flow likely helps the transition to a turbulent boundary layer.

5.0 World Record Paper Airplane - Time Aloft

I developed the world record paper airplane when I was about 13 years old, and I'm still trying to figure out exactly how it works. I was trying to "invent" new types of paper airplanes, combining folds from different types of paper planes. This particular plane started with a couple of folds from a pointed paper plane, then square paper plane folds, and finally adding wing tip fins (I had read about winglets, and wanted to add them to the plane). When I flew it outside, it flew higher and longer than my previous planes. I liked to fly paper airplanes outside, and I began using the new plane as I could launch it very high to catch rising air currents. It wasn't until I looked through a Guinness Book of Records a year or two later that I realized its potential ability to break the record. At that point I began improving the plane, and my throw, in order to challenge the record. I feel lucky that my efforts have paid off, but I am still learning why it works the way it does, and improving the plane and the throw.

Over the 20+ year span life of this paper airplane, the folds have changed only a little, but the fine tuning bends and tweaks keep changing as I learn more about aerodynamics, and as the plane teaches me more about aerodynamics. Its important to realize this paper airplane's mission is to stay in the air for as long as possible. It accomplishes this in two distinct phases which have many conflicting aerodynamic characteristics. The first phase is the launch phase, where I throw it vertically at 60 miles per hour, and it ascends vertically to about 60 feet. It slows to nearly a stop (sometimes it really does stop and then tail slides), then begins the second phase of slow steady gliding flight. The first phase lasts about 3 seconds, the second about 17 (on a world record throw). Here are some of the conflicting aerodynamic drivers:

Launch phase Gliding flight
Short wings better Long wings better
Trim at zero lift Trim at high lift
Heavy better (thick paper) Light better (thin paper)

Time aloft for a paper airplane can be optimized by either throwing a paper airplane with a short wing span real high, and having it glide downward fairly quickly (what I do), or making a fragile long wing span plane and launching it gently from as high as you can reach, or something in between. The primary tradeoff is wingspan - short wings can withstand a fast throw, but don't glide so well. Long wings glide great, but can't be thrown hard. I have seen paper airplanes made from one sheet of paper which had wing spans of 3 feet, and descended at only 6 inches a second (1/6 the vertical speed of mine). A basketball player with a vertical reach to 10 feet could seriously challenge my record. I think better flight times, and for me more fun is had, with the smaller swifter planes.

5.1 Launch phase

The trick is to get the paper airplane gliding from as high as possible. To achieve this I launch the plane as fast as possible, straight up. As it ascends the force of gravity and the force of drag slow it down until it stops. From there the plane's natural stability ensures it begins slow gliding flight.

5.1.1 Throw

Throwing anything straight up is not entirely natural. For maximum height and for a good transition to gliding flight, the throw must be within 10 degrees of vertical. Also for maximum height, the throw must be as fast as possible. I used some of the principles of biomechanics (science of the mechanics of the body ) together with baseball throwing techniques and shot put throwing techniques to develop the throw I use. I would like to thank my high school coach Mike Lauten for enrolling me in his biomechanics class. I estimate the plane leaves my hand at 60 miles per hour. This is based on two independent methods. First, I have had my baseball pitches clocked with a speed gun at about 65 miles per hour, and I think my paper airplane throws are about the same speed. The second method was mathematical. Knowing the plane reaches a height of from 50 to 60 feet, and the drag coefficient of the plane, I determined the launch energy required (kinetic, .5*mass*v*v) to equal the potential energy (weight*height) plus drag energy (integrated drag*velocity over the launch time), the resulting launch speed was about 60 miles per hour.

5.1.2 Ascent

A major reason why the world record plane is successful is the ascent. During the ascent the plane's angle of attack is near zero, resulting in near zero lift and allowing the plane to go virtually straight up. This is crucial for two reasons. In slow flight the plane is adjusted to produce a lift coefficient of about 0.7. If the plane were rigid, it would trim to the same lift coefficient at all speeds, with a sharp pull up into a loop at speeds higher than 10 mph. At the speed I launch it, it should enter into a 40 g loop, but it doesn't. The second reason zero lift is important is because of drag. If the plane stayed at its 0.7 lift coefficient, it would more than double the drag during the ascent and not allow the plane to climb high enough for a record flight (roughly 50% of the kinetic energy from the throw is used to overcome drag, the other 50% is converted into potential energy in the form of altitude). The plane does not go to exactly zero lift, and spirals a bit during the ascent to maintain a near vertical trajectory. Sometimes I have to add some rudder deflection to aid the spiraling to improve the ascent. I have also experimented with introducing intentional asymmetries into the plane to aid spiraling.

So why and how does the plane go to near zero lift? I'm not really certain, but I think I have the answer. As I said, it would trim to a 0.7 lift coefficient and enter a 40 g loop if it were rigid, but it isn't rigid. I suspect the reflexed section (the up elevator) to pushes the rear portion of the wing down, producing a more curved airfoil which wants to pitch the nose down and trim at a lower lift coefficient. Also the weight of the fuselage at the middle of the plane results in a large root bending moment as the plane pulls g's, so that the wings flex upward (added dihedral) which effectively lowers the angle of attack and lift coefficient the plane ascends at, with the wings returning to their original dihedral as the plane slows. I need to take some high speed video to analyze what happens during the launch.

The airfoil of the plane also affects the launch. I have tried using highly cambered airfoils optimized for slow gliding, but they tend to degrade the ascent. I wrote a computer program to reproduce the flight of the world record paper airplane to learn what parameters were most important for a long flight. One of the most important things I learned was that Cdo, zero lift wing drag, is more important in the ascent than it is in the descent. The airfoil optimized for slow gliding is not optimized for zero lift, and produces extra drag during the ascent. What is needed is an airfoil which produces low drag during slow, high lift flight, but more importantly has low drag during the ascent. I believe a nearly flat, uncambered airfoil does this. Certainly a flat airfoil is ideal for low drag at zero lift, but it can work at higher lift coefficients also. The flat wing at high lift results in a steep pressure gradient near the front of the wing on the upper surface, which likely aids transition to a turbulent boundary layer which is needed for low drag at high lift. I plan to do more airfoil tests during the spring of '97 to help find the best airfoil for long flight.

I have found pitch stability to be important also. The plane not only needs to be stable, but it needs to have just the right amount of stability. Pitch stability is controlled by how nose heavy the plane is, and that is controlled by the size and number of folds down the sheet of paper. The flexibility effects apparently only produce a small change in pitching moment, so the stability must be fairly weak to allow a significant change in trim angle of attack. Too little stability results in erratic gliding flight, with frequent stalls as the plane drifts slower than the desired angle of attack. One way to improve gliding stability is to tighten the turn radius. As a plane circles in flight it introduces a pitch rate. Natural pitch damping tends to try to nose the airplane down with positive pitch rate. As pitch rate increases with angle of attack, so does the nose down pitching moment due to pitch rate, thus providing added pitch stability to the plane. The tighter the circling, the better the stability. A drawback to this scheme is the increased load factor, and degraded gliding performance as the plane circles more tightly. Many times I set the circle size, by adjusting the rudder deflection, just small enough to keep the plane from porpoising (pitching up and down) into a stall. Generally circles less than 20 or 30 feet in diameter noticeably increase sink rate.

5.2 Gliding Flight

The goal for gliding flight is to descend vertically as slowly as possible. This represents the lowest rate of change of potential energy(power) which is the minimum product of drag times velocity. Generally the minimum sink rate for gliders is just above stall, and that's true for paper airplanes as well. For those interested in the details and math, finding the minimum power required involves taking the equation for powered required, differentiating with respect to velocity, and setting this equal to zero (standard calculus procedure for finding the minimum or maximum of a function. Starting with the basic parabolic drag curve;

D=.5 * rho * v*v * S * ( Cdo + Cl*Cl/(pi*e*AR))
D=drag in pounds
rho=air density (slugs per cubic foot, .002377 at sea level)
v=paper airplane velocity (ft/sec)
S=wing area (square ft, .234 for world record plane)
Cdo=Drag coefficient at zero lift (about .07)
Cl=lift coefficient (about .7 for minimum sink)
pi=3.1415
e=span efficiency factor, estimate .7
AR=span/average chord=7.5"/4.5"=1.67
Converting Cl in terms of v (cl=2*wt/(rho*v*v*S)) wt=weight (lb, .01 for a sheet of paper)
and multiplying times v yields
Power=P=.5*rho*v*v*v*S*Cdo + 2*wt*wt/(pi*e*b*b*rho*v) (ft-lb/s)
b=span, ft

Differentiate, set equal to zero, yields Cl=sqrt(3*Cdo*pi*e*AR) and therefor v=sqrt(2*wt/(rho*S*sqrt(3*Cdo*pi*e*AR)))

This gives a lift coefficient and airspeed for minimum sink rate of about .7, and 8.4 ft/s (6 mph)

Substituting the minimum sink results into the power equation, and knowing that vertical velocity is power/weight, gives the following:

Min Vert Velocity=Vvmin=1.05*(rho**-.5)(f**.25)(wt**.5)(e**-.75)(b**-1.5) (ft/sec)

f=Cdo*S

This equation gives the minimum vertical velocity of paper airplanes, sailplanes, 747s, ...

For the world record paper airplane this gives a minimum sink speed of about 2.5 ft/sec

Note that the main drivers for sink speed are weight and wing span, and to a lesser amount on f. The weight is determined by the thinnest paper which can withstand the launch throw, which is about 24 pound paper, which is about .01 pounds per sheet. The wing span of the world record plane is about 7.5 inches, and is limited by the launch speed (longer spans become too "floppy", and cannot hold a reasonable dihedral angle after the launch phase). "f" is determined by Cdo, and I have worked quite a bit on this parameter. I have to be careful when adjusting the elevator deflection for my plane, to trim it near, but not past the stall angle of attack (determined by throwing, readjusting, throwing... until it looks right). During the fall of '96 I decided to try to design a better airfoil section for my plane to decrease the Cdo. I used the PROFOIL program(see my aeronautical engineering links) to design several candidate airfoils. The new airfoil shape seemed to work. Previously only a small fraction of the planes I build really seam to "float", many sink at over 3 or even 4 feet per second (for a world record attempt I make about 100 planes over several weeks, and use the few best ones which launch and glide the best). I reasoned that if I could find a better airfoil shape I would not only have a better plane, but one I could make more consistently. Unfortunately the new airfoil shape degrades launch performance (see sect. 5.1.2), so the new airfoil has been abandoned.
1New airfoil
2Pressure distribution

I have also tried a version of the world record plane which does not have a fuselage, it is a flying wing with no dihedral, but uses the wingtips canted up and out at an angle for the dihedral effect. The idea is to eliminate the "V" shape of the fuselage and use that part of the paper to maximize the wing span to reduce the sink rate. Unfortunately I have not been able to achieve good ascents, with low launch heights as a result. This modification noticeably affects the flexibility which allows good launches.

Another area for study is washout, the relative angle of attack of the tip of the wing compared to the root of the wing. This could improve the span-wise lift distribution which could improve the "e" in the sink rate equation. As the plane is folded, there is a tendency for positive washout, with the wing tips at a higher angle of attack than the root. I have tried to construct test planes with the wings set with negative washout, with the tips at a lower angle of attack than the root. This is more typical for real airplanes as it promotes a better stall pattern, with the root stalling first. It should also provide a better span lift distribution for reduced induced (drag due to lift) drag. Initial tests showed degraded launch characteristics, and no noticeable glide improvement. I think I will try for zero washout, as this should provide the lowest drag during the ascent. I have also recently found a report which relates that low aspect ratio wings (less than 2) have a tendency to have increased suction peaks at the wing root, which might provide a lift distribution similar to negative washout.

5.3 Other miscellaneous ramblings

5.3.1 Repeatability

As I mentioned above, not all my world record planes can set a record. Most have flight times from 10-14 seconds. Maybe 10% can get to 15-17 seconds, and about 1% can get to 20 seconds. One of the goals of my research and testing is to be able to make the "good" planes on a repeatable basis. The best way I know to do this is to understand the physics involved, and then work on solutions. I have found that the physics involved can get quite complex, and it is difficult to get definite answers from my tests. I do think I am making progress, and hope to continue to improve my understanding and ability to consistently make good planes.

5.3.2 Completely different planes

I sometimes feel I am in a rut, as I have basically been trying to improve the same design for 20 years. I do actually try to invent new design to tackle the world record. So far none has worked as well as the original, but I keep trying. I suspect there are much better designs waiting to be discovered, and no doubt in the future one of these better designs will hold the record.

5.3.3 Weather, England, and new records

Yes the weather can affect an indoor flight. In March of 1996 I participated in a BBC paper airplane contest in London, England. The building was huge, but was unheated, with cool rainy conditions outside. Paper airplanes hate humidity. I'm not sure if its due to the relative humidity, or absolute humidity, but generally if its rainy outside, the paper is going to have even worse than normal structural properties. Normally I rely on the resilience of the paper to hold the wings at the proper dihedral angle during gliding flight. Even on dry days, the paper eventually "fatigues" and is unable to support the root bending moment of the wing, resulting in "floppy" wings with increasing dihedral angles. On humid days I may get only two or three good world record throws from a plane. The problem is that it takes at least 2 or 3 flights to make the proper adjustments to the rudder and elevator for optimum flight times. Back to the contest, I was having a horrible time trying to get my planes adjusted before the wings fatigued. Going into the last round of the competition I was in third place (15 seconds, the best flight of the day being about 16 seconds). I was extremely lucky to get a 17.3 second flight on my last throw to win the contest. My plane design uses the maximum wing span for dry conditions, with many of the competing designs having shorter spans which were less affected by the conditions, allowing them valuable adjustment throws. The skill of the other contestants was outstanding. Some of the other participants have even subsequently submitted record flight claims to Guinness - so far they have not had their record flights authenticated, but it may only be a matter of time. But I'm not going down without a fight! I'm still working on my planes.

6.0 References for Paper Airplane aerodynamics

There are few technical references for paper airplanes. Naturally paper airplane books talk about paper airplane aerodynamics, but usually in a simplistic manner. There are many reference to low speed flight which are applicable to paper airplanes. Here are a few.

Tech Papers/articles

----------------------------

Savage, Stuart B., "The indoor hand launched glider", Flying Models Magazine, Jan/Feb 1960

[This is a very good reference, as hand launched gliders and paper airplanes have the same aerodynamics]

M.M. O'Meara and T.J.Mueller, "Experimental Determination of the Laminar Separation Bubble Characteristics of an Airfoil at Low Reynolds Numbers", AIAA-86-1065, May 1986

[Not directly applicable to paper airplanes, but covers some of the wing flow physics, and contains many

references]

Anything from:

"Proceedings of the Conference on Low Reynolds Number Airfoils" - These conferences have been held

several times - I see the Proceedings referenced a lot in low Reynolds number papers.

Books

--------

Blackburn, KD and Lammers, JL, "The World Record Paper Airplane Book", Workman, 1994

[Why paper airplanes fly, and why they crash]

Blackburn, KD and Lammers, JL, "Kids Paper Airplane Book", Workman, 1996

[Similar content to 1st book, concerning why paper airplanes fly, more hands-on experiments to demonstrate principles. Also a teachers guide for this book is available from the publisher with more paper airplane information]
Hoerner, S.F., "Fluid Dynamic Drag", Hoerner, 1965
[The "Bible" of drag. Includes references to low Reynolds number drag throughout]
Hoerner, S.F., "Fluid Dynamic Lift", Hoerner, 1985
[Some relevant info, but limited]
Abbott, I.H. and von Doenhoff, A.E., "Theory of Wing Sections", Dover Publications, Inc.

New York, 1959

[A good reference]
Selig, M.S. and Donovan, J.F. and Fraser, D.B., "Airfoils at Low Speeds", H.A.Stokely, publisher, 1989

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Sabtu, 12 Juni 2010

sejarah penerbangan di indonesia

EVOLUTION AND HISTORY OF
THE INDONESIAN AVIATION INDUSTRY

I. INTRODUCTION
The aircraft is a means of transportation which has a very important meaning for economic and defense development, especially realizing that Indonesia being an island-state with a geographical condition which is difficult to penetrate without adequate means of transportation. From the above mentioned condition, comes the thought that as an island-state Indonesia is in the position to have maritime and aviation industries. This has led to the birth of an aircraft industry in Indonesia.
II. NATIONAL EFFORTS OF AIRCRAFT BUILDING
A. PRE-INDONESIAN INDEPENDENCE
Since mithology of Indonesians puppetry developed in the cultural life of the Indonesians and the figure of Gatotkaca became a legendary figure as the ‘flying hero’, the desire of the Indonesians to have the ability to fly had ever since urgedly motivated.
The Dutch colonnial government era did not have any aircraft design programme, instead they carried out a series of activities related to licence making, and technical and safety evaluations for all aircraft operated throughout Indonesia. In 1914, the Flight Test Section (Bagian Uji Terbang) was founded in Surabaya with the task to to study aircraft flight performance in tropical region. Then in 1930, it was followed by the establishment of the Aircraft Production Section (Bagian Pembuatan Pesawat Udara) which produced the Canadian AVRO-AL aircraft, of which the modified fuselage made of local wood. This manufacturing facility was later moved to Lapangan Udara Andir or the Andir Airfield (now Husein Sastranegara Airport).
It was in this period that the interest to make aircraft developed within privately-owned workshops.
In 1937, eight years prior to the Indonesian Independence, due to the request of a local businessman, some Indonesian youths, led by Tossin built an aircraft at a workshop located in Jl. Pasirkaliki, Bandung. They named the aircraft PK. KKH. This aircraft had once surprised the then aviation world due to its ability to fly to the Netherlands and the mainland of Chine vice versa. Prior to this, around the 1922, the Indonesian had even been involved in the modification of an aircraft at a private house in Jl. Cikapundung, Bandung.
In 1938, on the request of LW. Walraven and MV. Patist - designers of PK. KKH - a smaller aircraft was built in at workshop in Jl. Kebon Kawung, Bandung.
B. INDEPENDENCE ERA
Soon after the Indonesian Independence was proclaimed in 1945, the chance for the Indonesians to realize their dream to build aircraft of their own plan and need was widely open. Since that time the Indonesians began to deeply realize that as an island-state Indonesia would always require means of air transportation for the smooth-running of the government, economic development and national defense.
In 1946, the Planning & Construction Bureau was founded at the TRI-Udara or Indonesian Air Force (now called TNI-AU). Sponsored by Wiweko Supono, Nurtanio Pringgoadisurjo, and Sumarsono, a special workshop was established in Magetan, near Madiun, East Java. Out of simple materials a number of Zogling, NWG-1 light aircraft (pesawat layang) were made. The making of these aircraft also involved Tossin, supported by Ahmad, cs. Six in number, the aircraft were utilized for developing the aviation interest among the Indonesians and at the same time introducing the aviation world to pilot candidates who were prepared to follow aviation training in India.
Then in 1948 they succeeded in making the first engine-aircraft, powered by Harley Davidson engine, called WEL-X. Designed by Wiweko Supono the aircraft was then known as RI-X.
This era was marked by the emergence of a number of aeromodelling clubs which led to the birth of our aviation technology pioneer called Nurtanio Pringgoadisuryo.
But they had had to stop this activity due to the communist Madiun Rebellion and the Dutch aggression.
In this period the aviation activity was primarily carried out as part of the physical revolution for the national freedom. Here the available aircraft were modified for combat missions. Agustinus Adisutjipto was the most remarkable figure in this period, who designed and flight-tested an aircraft as well as flew it in real air battle. He modified the Cureng aircraft into ground-attack version.
After the Dutch occupational era had come to an end the above mentioned activity was then continued in Bandung an the Andir airfield - later known as Husein Sastranegara Airport. In 1953 the activity was institutionalized into Seksi Percobaan (Trial Section). Manned by 15 members, the Seksi Percobaan was under the supervision of Komando Depot Perawatan Teknik Udara, led by Air Major Nurtanio Pringgoadisurjo.
Based on Nurtanio’s design, in August 1, 1954, the section succeeded to fly the prototype of ‘Si Kumbang’, an all-metal, single-seated aircraft. It was made in three units.
On April, 24, 1957, by the virtue of the Head of Staff of Indonesian Air Force Decree No. 68, the Seksi Percobaan was enhanced into a bigger organization called Sub Depot Penyelidikan, Percobaan & Pembuatan.
In the following year, 1958, the prototype of the basic trainer "Belalang 89" was successfully flown. As serial production the aircraft was called Belalang 90 and it was made in 5 units, and they were utilized top train pilot candidates at Akademi Angkatan Udara & Pusat Penerbangan Angkatan Darat (Academy of Air Force & Center of Army Aviation) In the same year, the sport aircraft "Kunang 25" was flown. The philosophy of this aircraft was to motivate the Indonesia’s young generation who were interested in the area of aircraft making.
To enhance their aeronautical background, during period 1960's - 1964, Nurtanio and three other colleauge were sent to Far Eastern Air Transport Incorporated (FEATI) Philippines, one of the first aeronautical university in Asia. After completing their study, they return to Bandung to work for LAPIP.




III. EFFORTS TO ESTABLISH AN AIRCRAFT INDUSTRY
In line with the already obtained achievements and in order to enable it to develop faster, by virtue of the Head of Staff of Indonesian Air Force Decree No 488, August, 1960, the Lembaga Persiapan Industri Penerbangan (LAPIP) or the Body for Preparation of Aviation Industry was therefore established. Inaugurated on December 16, 1961, the body had the function of preparing the establishment of an aviation industry with the ability to support national aviation activities in Indonesia.
Relating to this, in 1961 LAPIP signed a cooperation agreement with CEKOP, a Polish aircraft industry, to build an aircraft industry in Indonesia. The contract covered the building of an aircraft manufacturing facility, H R training and producing, under license, the PZL-104 Wilga, which was later known as Gelatik (rice bird). The aircraft which was serially produced in 44 units was utilized to support agricultural activities, light transport and aero-club.
At almost the same period, 1965, through a Presidencial Decree, KOPELAPIP (Komando Pelaksana Industri Pesawat Terbang) or Executive Command for Preparation of Aviation Industry and PN. Industri Pesawat Terbang Berdikari (Berdikari Aircraft Industry) were founded.
In March 1966, Nurtanio died while flight testing an aircraft, and in order to commemorate his valuable contribution to his country and nation, the KOPELAPIP and PN. Industri Pesawat Terbang Berdikari was then merged into LIPNUR/Lembaga Industri Penerbangan Nurtanio or Nurtanio Aviation Industrial Institution. In its further development LIPNUR produced a basic trainer aircraft called LT-200 and built workshops for after-sales-services, maintenance and repair & overhauls.
In 1962, based in a Presidencial Decree, the Teknik Penerbangan ITB (ITB Aviation Technique Section) was established as part of the available Machine Department. Oetarjo Diran and Liem Keng Kie were pioneers of this aviation section. These two figures were among those included in the Overseas Student Scholarship Programme. Initiated in 1958, through this programme, a number of Indonesian students were sent abroad (Europe and the United States).
In the meantime some other efforts in pioneering the establishment of an aircraft industry had also been continuously carried out by an Indonesian youth - B.J. Habibie - from 1964 to the 1970s.
IV. ESTABLISHMENT OF INDONESIAN AVIATION INDUSTRY
A. PIONEERING PERIOD
Five main factors that led towards the establishment of IPTN are: There were some Indonesians who had since along time dreamed to build aircraft and established an aircraft industry in Indonesia; some Indonesians who had the mastery the science and technology to build aircraft and the aircraft industry; some Indonesians who, beside mastered the needed science and technology they were also highly dedicated to utilize their expertise for the establishment of an aircraft industry; some Indonesians who were experts in marketing and selling aircraft for both national and international scopes; political will from the ruling Government.
The harmonize integration of the above mentioned factors had made IPTN an aircraft industry with adequate facilities.
It all initiated with Bacharuddin Jusuf Habibie, a man who was born in Pare-pare, South Sulawesi (Celebes), on June 25, 1936. He was graduated from Aachen Technical High Learning, Aircraft Construction Department, and later worked at MBB (Masserschmitt Bolkow Blohm), an aircraft industry in Germany since 1965.
When he was about to get his doctoral degree, in 1964, he had a strong willing to return to his country to participate in the Indonesian development program in the area of aviation industry. But the management of KOPELAPIP suggested him to continue seeking for more experience, while waiting for the possibility of establishing an aircraft industry. In 1966, when Adam Malik, the then Indonesian Minister of Foreign Affairs visited Germany, he asked Habibie to contribute his thoughts for the realization of the Indonesian Development.
Realizing that the efforts of establishing an aircraft industry would not be possibly done by him alone, Habibie made up his mind to start pioneering to prepare high-skilled manpower that at the appointed time could any time be employed by the future aircraft industry in Indonesia. Soon Habibie set up a voluntarily team. And in early 1970 the team was sent to Germany to start working and studying science and technology in the aviation field at HFB/MBB, where Habibie worked, to carry out their initial planning.
At the same period, similar activity was also pioneered by Pertamina (Indonesian Oil Company) in its capacity as Indonesian development agent. With such a capacity Pertamina succeeded in establishing the Krakatau Steel Industry. Ibnu Sutowo, the then Pertamina President contributed his thought that transfer technology process from developed countries should be carried out with a clear concept and national-oriented.
In early December 1973, Ibnu Sutowo met with Habibie in Dusseldorf, Germany, in which he gave an elaborate explanation to Habibie concerning the Indonesian Development, Pertamina with the dream of founding an aircraft industry in Indonesia. The result of the meeting was the appointment of Habibie as Advisor to Pertamina President, and he was requested to immediately return to Indonesia.
In Early January 1974, a decisive step towards the establishment of the aircraft industry had been taken. The first realization was the establishment a new division which specialized in advanced technology and aviation technology affairs. Two months after the Dusseldorf meeting, on January 26, 1974 Habibie was called by President Soeharto. At the meeting Habibie was appointed as Advisor to President in the area of technology. This was the first day for Habibie to start his official mission.
These meetings resulted in the birth of the ATTP (Advanced Technology & Teknologi Penerbangan Pertamina) Division which became the milestone for the establishment of BPPT and part of that of IPTN.
In September 1974, ATTP signed the basic agreement for license cooperation with MBB, Germany and CASA, Spain for the production of the BO-105 helicopter and the NC-212 fixed wing aircraft.
B. THE FOUNDING
When the efforts of the establishment has shown its form there was a problem faced by Pertamina which influenced to the existence of ATTP, its project and program i.e. aircraft industry. But realizing that the ATTP Division and its project was a vehicle to prepare the Indonesians to ‘take-off’ for the Pelita VI, so the Government decided to continue the establishment of an aircraft industry with all its consequenses.
Based on this, by the virtue of Government Regulation No. 12, April 5, 1976, the preparation of an aircraft industry was made. Through this regulation all the available assets, facilities and potencies were accumulated covering Pertamina assets, the ATTP Division which had been prepared for the establishment of an aircraft industry with the assets LIPNUR, the Indonesian Air Force, as the basic capital for the aircraft industry. This basic capital was hoped to support the growth of an aircraft industry being able to answer all challenges.
On April 26, 1976 , based on the Notary Act No. 15, in Jakarta, the PT. Industri Pesawat Terbang Nurtanio was officially established with Dr. BJ. Habibie as its President Director. When the physical facilities of this industry was completed , on August 1976 President Soeharto inaugurated this aircraft industry.
On October 11, 1985, PT. Industri Pesawat Terbang Nurtanio was removed to the PT. Industri Pesawat Terbang Nusantara or IPTN.
It was from this point that the new firmament of the growth of a modern and complete aircraft industry in Indonesia had just begun. And it was in this period that all aspects of infrastructure, facilities, human resources, law and regulations, and those relating and supporting the existence of the aircraft industry was integrately organized. Previously, In the 1960s and 1970s this had never been seriously thought of. Apart from that, the industry developed a progressive technology and industrial transformation concept which turned out to give optimal results in the efforts of mastering the aviation technology in a relatively short period of time, 20 years.
IPTN has the view that the technology transfer should be implemented integrally and completely and covers hardware, software and brain ware of which the human being is the nucleus. That is the human being who has hard willingness, capability and standpoint in science, theory and expertise to implement them in the concrete work. Based on this IPTN has applied a technology transfer philosophy called "Begin at the End and End at the Beginning". It is the philosophy to absorb advanced technology progressively and gradually in an integral process and based on Indonesia’s objective needs. Through this philosophy was then thoroughly mastered, not merely materially but also the capability and expertise. This philosophy is also adaptable to any development and progress achieved by other countries.
The philosophy teaches that in building aircraft it does not necessarily start from components, but directly learn the end of a process (already-built aircraft), then reverse through phases of component manufacturing. The phases of technology transfer is divided into:
• Phase of utilization of the existing technology/License Program
• Phase of Technology Integration
• Phase Technology Development, and
• Phase of Basic Research
The target of the first phase is the mastery of manufacturing capability, and at the same time sort out and define types of aircraft that meet the domestic need; the result of the sales is utilized to support the company business capability. This is known as the progressive manufacturing method. The second phase is aimed at mastering the design as well as manufacturing capabilities. The third phase is aimed at enhancing the self-design capability. And the fourth phase is aimed to master the basic sciences in the frame of supporting the development of excellent new products.
C. NEW PARADIGM, NEW NAME
During the last 24 years of its establishment, IPTN had been successfully capable of transferring sophisticated and latest aviation technology, mostly from Western Hemisphere, to Indonesians. IPTN has, especially, mastered in aircraft design, development, and manufacturing small to medium regional commuter.
In facing new global market system, IPTN redefined itself to 'IPTN 2000' that emphasizes on implementing new, business oriented, strategy to meet current situation with a brand new structure.
The restructuring program includes business reorientation, rightsizing and composing the human resources with the available workloads, and a sound capitalization based on a more focused market and concentrated business mission.
PT. IPTN is now selling its redundant capabilities in the area of engineering - by offering design to test activity services -, manufacturing - aircraft and non-aircraft components -, and after sales services.
It is in this relation that the name IPTN had been changed into PT. DIRGANTARA INDONESIA or Indonesian Aerospace abbreviated IAe which was officially innaugurated by the President of the Republic of Indonesia, KH. Abdurrahman Wahid, in Bandung on August 24, 2000.

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Sabtu, 31 Oktober 2009

running machine

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Dongeng

Kelinci Super Sakti


Se-ekor kelinci sedang duduk santai di tepi pantai, Tiba tiba datang se-ekor rubah jantan besar yang hendak memangsanya, Lalu kelinci itu berkata :'Kalau memang kamu berani, hayo kita berkelahi di dalam lubang kelinci, Yang kalah akan jadi santapan
yang menang, dan saya yakin saya akan menang.'

Sang Rubah jantan merasa tertantang,'dimanapun jadi, Masa sih kelinci bisa menang melawan aku ?' Merekapun masuk ke dalam sarang kelinci, Sepuluh menit kemudian sang kelinci keluar sambil menggenggam Setangkai paha rubah dan melahapnya dengan nikmat.

Sang Kelinci kembali bersantai,Sambil memakai kaca mata hitam dan topi pantai Tiba tiba datang se-ekor serigala besar yang hendak memangsanya,Lalu kelinci berkata :' Kalau memang kamu berani, hayo kita berkelahi di dalam lubang kelinci,Yang kalah akan jadi santapan yang menang, dan saya yakin saya akan menang.'Sang serigala merasa tertantang, ' dimanapun jadi, Masa sih kelinci bisa menang melawan aku ?' Merekapun masuk ke dalam sarang kelinci, Lima belas menit kemudian sang kelinci keluar sambil menggenggam Setangkai paha serigala dan melahapnya dengan nikmat.

Sang kelinci kembali bersantai, Sambil memasang payung pantai dan merebahkan diri diatas pasir, Tiba tiba datang se-ekor beruang besar yang hendak memangsanya, Lalu kelinci berkata :' Kalau memang kamu berani, hayo kita berkelahi di dalam lubang kelinci,Yang kalah akan jadi santapan yang menang, dan saya yakin saya akan menang.'Sang Beruang merasa tertantang, ' dimanapun jadi, Masa sih kelinci bisa menang melawan aku ?' Merekapun masuk ke dalam sarang kelinci,Tiga puluh menit kemudian sang kelinci keluar sambil menggenggam Setangkai paha Beruang dan melahapnya dengan nikmat.

Pohon kelapa melambai lambai, Lembayung senja sudah tiba, habis sudah waktu bersantai, Sang Kelinci melongok kedalam lubang kelinci, sambil melambai 'Hai, keluar, sudah sore, besok kita teruskan !! '

Keluarlah se-ekor harimau dari lubang itu, sangat besar badannya. Sambil menguap Harimau berkata ' Kerjasama kita sukses hari ini, kita makan kenyang Dan saya tidak perlu berlari mengejar kencang.'

Nb.
Winner selalu berfikir mengenai kerja sama, sementara Looser selalu berfikir bagaimana menjadi tokoh yang paling berjaya.

Untuk membentuk ikatan ukhuwah harus ada kerendahan hati dan keikhlasan bekerja sama: [MESKIPUN] DENGAN SESEORANG YANG KELIHATANNYA TIDAK LEBIH BAIK DARI KITA Siapa akan memulai kebaikan hari ini?

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Kamis, 29 Oktober 2009

lukisan diri

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